An Expression of Love
Over the course of many years, people have found ways to express adoration, desire, devotion, and love. A common romantic way to show a lover how one felt is to write or recite love poetry. From E.E. Cummings to William Shakespeare and even Edgar Allen Poe, men and women have put their feelings into these poems, expressing “kisses as a better fate than wisdom” (E.E. Cummings) and in some cases, of a sadder topic: lost love. These classic poems have been heard many times maybe in passing or maybe they have been recited to us as a sign of love. However, are these words on paper a league of their own, or could an “emo/hardcore” band produce the same elements and feelings two of their songs meant to compliment each other?
The two songs “Autumn’s Monologue” and “The Fiction We Live” may prove that a simple band from Long Island can be compared to the poets mentioned before, such as Cummings and Shakespeare. The first song is sung by a female and expresses how she wishes she could be what her love wanted and needed and that he would see her and love her the way she loves him. However, she believes her love has replaced her with another and crushed her. The second song is song by her male lover assuring her that he’s not worth her trouble, that he wished he was, and that he did see her but didn’t believe she wanted him the same way. The two songs show a love from both sides but no one reaching for it and in turn, creating lost love instead of a happily ever after.
The songs are two of the mellower songs by this band. Usually a band with heavy guitar, loud drums, and some screaming solos, they set the mood for their love songs by accompanying the soothing vocals with mellow percussion, acoustic guitar, and some piano. Some poets may accompany their piece with a picture to match the mood or enhance the piece. It is meant not to distract the audience from the poem or message but to give it a little oomph. I feel that the band, commonly abbreviated as FATA (From Autumn to Ashes), accomplished what most poets do except instead of enhancing the piece visually, they did it through sound. It does not distract the audience from the words but rather serves to bring just a little more to the piece. However, just like with the written poems, the extra enhancement brought to the piece should not be what makes it extraordinary. Should the poet, or the band, choose so, the enhancement should be able to be taken away and still leave the piece as exceptional as before. If the music was taken away from these songs they would not be called songs anymore, but the words would be able to hold up on their on like a good piece of writing should.
As I mentioned before, typical love poems convey desire and devotion. We’ve already established the fact that if these two songs by FATA were not set to music, they lyrics would remain strong. What we have without the music is written words, very much like the poems we are comparing them to. The desire is seen in both songs. Both the male and the female have a desire for the other and are willing to display affection and devotion for the other but something is keeping their love from being true and real. Neither realizes the other is trying to express the desire and devotion either, making the lost love poem genre even more apparent. These sad poems express a universal love but deny the speakers any chance of it.
In “Autumn’s Monologue” she speaks of love being “so thoughtless, so cruel” when all she ever did was for him. Not only is she playing at a common theme in lost love, she’s being relatable to the audience. Many times either one part or both parts of a couple will feel as though all their time and all of their actions are directed toward the one they love. They however will fell sad or lonely still because they will believe that their partner does not put in the same effort as they do. Through this, From Autumn to Ashes is able to capture the audience through realistic feelings often found in modern works today.
Another key element that makes From Autumn to Ashes’ work more literary is the fact that they used to songs to correspond with one another. It’s one thing to make a literary work stand on it’s on but to try and put two literary works together makes the songs have theatreistic qualities because of two long monologues set for one another. Shakespearian works often have long monologues, like in Romeo and Juliet. Romeo and Juliet have their own pairs of monologues that can resemble what the band was trying to accomplish between Autumn and her unnamed lover. The dialogue can make the literary piece stronger because it encourages the reader or audience not only to experience the piece from an outside point of view but to be part of the action by imagining Autumn expressing her hurt and broken heart and then immediately getting a reaction from who she meant to speak to and hearing what could be seen as his side of the story.
When finally deciding if these works and if this band can be seen as literary figures it comes down to one easy answer and one answer that needed proving. The songs themselves are undoubtedly literary works comparable to past love poems that express heartache and lost love. However does one set of lyrics that serve as dialogue and use imagery prove the band From Autumn to Ashes can be seen as poets? I believe that yes it does. Not only do these two poems display it through their words but also through the music, which was an element used in theatre in ancient Greece and modern times. While I said that before to make the song a typical poem the music could be taken away, the music can also strengthen the piece with its soothing sounds in the right places and intense music for when things became more intense, to better match the mood and to get the audience’s attention.
From Autumn to Ashes may have some songs that because of their drum pounding or screaming vocals will cause some parents to run away with their hands over their ears but I guarantee you that their lyrics and ability to match up music to convey the mood makes their work some modern literature for younger crowds and the bold older crowds to enjoy, especially through the mellow sad songs, “Autumn’s Monologue” and “The Fiction We Live.”